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Stella Adler
Stella
Adler (February
10, 1901 – December 21, 1992) was an American actress and acting
teacher.She founded the Stella Adler Studio of Acting in New
York City and Los Angeles with longtime protégée, actress Joanne
Linville, who continues to teach Adler's technique. Her
grandson Tom Oppenheim now runs the school in New York City, which has
produced alumni such as Marlon Brando, Robert De
Niro, Harvey Keitel, Elaine
Stritch, Kate Mulgrew, Kipp Hamilton,
and Jenny Lumet.
Irene Gilbert,
a longtime protégée and friend, founded the Stella Adler Academy of Acting and
Theatre in Los Angeles, and was instrumental in bringing Stella Adler to the
West Coast to teach on a permanent basis. The Los Angeles school continues
to function as an acting studio and houses several theaters. Alumni of the
Stella Adler-Los Angeles school include Mark Ruffalo, Benicio Del
Toro, Brion James, Salma Hayek, Clifton Collins Jr., and Sean Astin.
Childhood
& Early Life
·
Stella Adler was born in the Lower East Side of New
York City. She was the youngest daughter of Sara and Jacob P. Adler, the sister
of Luther and Jay Adler, and half-sister
of Charles Adler. All five of her
siblings were actors. The Adlers comprised the Jewish-American Adler acting
dynasty, which had its start in the Yiddish Theater District and was a significant part of the vibrant ethnic
theatrical scene that thrived in New York from the late 19th century to the
1950s. Adler became the most famous and influential member of her family. She
began acting at the age of four as a part of the Independent Yiddish Art
Company of her parents.
Career
·
Adler
began her acting career at the age of four in the play Broken Hearts at the Grand
Street Theatre on the Lower East Side, as a part of her parents' Independent Yiddish Art Company. She grew
up acting alongside her parents, often playing roles of boys and girls. Her
work schedule allowed little time for schooling, but when possible, she studied
at public schools and New York University. She made her London debut,
at the age of 18, as Naomi in Elisa
Ben Avia with her father's company, in which she appeared for a
year before returning to New York. In London, she met her first husband,
Englishman Horace Eliashcheff; their brief marriage, however, ended in a
divorce.
·
Adler
made her English-language debut on Broadway in 1922 as the Butterfly in The World We Live In, and she spent a
season in the vaudeville circuit. In 1922–23, the renowned Russian actor-director Konstantin Stanislavski made his only
U.S. tour with his Moscow Art Theatre. Adler and many others saw
these performances, which had a powerful and lasting impact on her career and
the 20th-century American theatre. She joined the American Laboratory Theatre in 1925;
there, she was introduced to Stanislavski's theories, from founders and Russian
actor-teachers and former members of the Moscow Art Theater—Richard Boleslavsky and Maria
Ouspenskaya.
·
In
1931, with Sanford Meisner and Elia Kazan,
among others, she joined the Group Theatre, New York, founded by Harold
Clurman, Lee Strasberg, and Cheryl
Crawford, through theater director and critic, Clurman, whom she
later married in 1943. With Group Theatre, she worked in plays such as Success Story by John Howard
Lawson, two Clifford Odets plays, Awake and Sing! and Paradise Lost, and directed the touring company
of Odets's Golden Boy and More to Give to People. Members of
Group Theatre were leading interpreters of the method acting technique based on
the work and writings of Stanislavski.
·
In
1934, Adler went to Paris with Harold Clurman and studied intensively with
Stanislavski for five weeks. During this period, she learned that Stanislavski
had revised his theories, emphasizing that the actor should create by
imagination rather than memory. Upon her return, she broke away from Strasberg
on the fundamental aspects of method acting.
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Major works
·
The Fervent
Years: The Group Theatre and the Thirties,
By Harold Clurman, Stella Adler. Da Capo Press, 1983. ISBN 0-306-80186-8.
·
Creating a
Character: A Physical Approach to Acting,
by Moni Yakim, Muriel Broadman, Stella Adler. Applause Books, 1993. ISBN 1-55783-161-0.
·
Stella
Adler: The Art of Acting, by Stella Adler, Howard Kissel,
Applause Books, 2000. ISBN 1-55783-373-7.
·
Stella Adler
on Ibsen, Strindberg, and Chekhov,
by Stella Adler, Barry Paris. Random House Inc, 2001. ISBN 0-679-74698-6.
·
Stella Adler
on America's Master Playwrights: Eugene O'Neill, Thornton Wilder, Clifford
Odets, William Saroyan, Tennessee Williams, William Inge, Arthur Miller, Edward
Albee, by Stella Adler, Barry Paris
(editor). Knopf Doubleday Publishing Group 2012. ISBN 978-0-679-42443-7.
Personal
Life & Legacy
·
Adler married three times, first to Horace Eliascheff, the
father of her only child Ellen, then from 1943 to 1960 to director and
critic Harold
Clurman, one of the founders of the Group Theatre. She was finally
married to physicist and
novelist Mitchell A. Wilson, who died in 1973.
From 1938 to 1946, she was sister-in-law to actress Sylvia
Sidney. Sidney was married to her brother Luther at the time and
provided Stella with a nephew. Even after Sidney and Luther divorced, she and
Sylvia remained close friends.
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