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Gustav Mahler
Gustav Mahler
is hailed as one of the most prominent and influential symphonic composers
belonging to the 19th and early 20th century. His creation principally comprised
of symphonic and song cycles that postulated complex orchestral scores. Though,
Mahler scarcely tasted popularity and success as a composer during his
lifetime, his talents as interpretive artist on the conductor's rostrums was
immensely acclaimed and also earned him some of the most prestigious
assignments as music director to reputed orchestras. Born in a Jewish family,
he had to endure the anti-Semitic campaigns, which even led to his exile from
Vienna, yet his artistic endeavors hardly seemed to cease. Gustav Mahler once
stated, "Composing a symphony means, to me, building a new world with
every available technical means. The ever-new and changing content determines
its own form.” As a composer, he introduced many distinctive styles which in course
of time laid a profound influence upon the Viennese composers of the following
generations that instigated significant trends in operatic production setting
new standards.
Gustav Mahler's Childhood & Early Life
Born in Kaliste, Bohemia on the 7 July 1860 to a distillery
manager father and a homemaker mother, Gustav Mahler was the second of fourteen
children. Five of his siblings died in infancy while three others did not live
till mature adulthood. From his early childhood, Gustav witnessed constant conflicts
between his browbeating father and his frail mother. This perhaps influenced
his compositional style as they always reflected such themes which depicted a
struggle between good and evil, happy and sad, strong and weak. Mahler musical
aptitudes were obvious at very early stages and by the time Gustav turned
eight, he was already composing music. Gustav’s parents encouraged his musical
pursuits and sent him to private tutors to learn his first lessons. Young
Mahler then tried for Vienna Conservatory where he studied 1875 to 1878. Though
Mahler's studies at the Conservatory got off to a slow start, the final year
fetched him many composition awards. In 1878, Mahler graduated from the
conservatory, but failed to earn the silver medal, bestowed for outstanding
achievements. Mahler then joined the Vienna University and pursued his interest
in literature and Philosophy.
Career
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After leaving the university in 1879, Mahler made some earnings
as a piano teacher and in 1880, finished his dramatic cantata "Das
klagende Lied" ("The Song of Lamentation"). Mahler developed a
keen interest in German philosophy. One of his friends Siegfried Lipiner
introduced him to the works of Arthur Schopenhauer, Friedrich Nietzsche, Gustav
Fechner and Hermann Lotze. The influence of these philosophers persisted which
was evident in Mahler’s music long after his student days were over. Mahler
took his first professional conducting job in a small wooden theatre in the spa
town of Bad Hall, south of Linz during the summers of 1880 at the behest of
Julius Epstein who promised to work Gustav’s way up. At Landestheater in
Laibach (modern day Ljubljana, in Slovenia) in 1881, Mahler associated himself
with a resourceful company which was on its course to attempt ambitious works.
Mahler got the first opportunity to conduct his first full-scale opera,
‘Verdi's Il trovatore’, which was among his 50 such works, which he presented
during his time in Laibach. However, after the completion of his six-month
term, Mahler returned to Vienna where at the Vienna Carltheater, he worked as
part-time chorus-master. Later in January 1883, Mahler was appointed as the
conductor at a run-down theatre in Olmütz (present day Olomouc). Even though
Mahler didn’t share very amicable relations with the members of the orchestra,
yet he was successful in bringing up five new operas to the theatre, one of
which was Bizet's Carmen. Soon Mahler received warm and enthusiastic reviews
from the critic, which until then had been hostile. After a week's trial at the
Royal Theatre in the Hessian town of Kassel, Mahler was appointed from August
1883 as the "Musical and Choral Director" of the theater.
Here Mahler conducted his most preferent opera, Weber's Der
Freischütz. On 23 June 1884, Gustav conducted his own incidental music to
Joseph Victor von Scheffel's play Der Trompeter von Säkkingen ("The
Trumpeter of Säkkingen"), which was the first professional public
performance of his own work. Passionate yet unfulfilled love affair with
soprano Johanna Richter inspired Mahler to write a series of love poems, which
eventually became the text of his song cycle Lieder eines fahrenden Gesellen
("Songs of a Wayfarer"). In July, Mahler resigned from the position
and was offerd the position of an assistant conductor at the Neues Deutsches
Theater (New German Theatre) in Prague. Mahler left Prague in April 1886 for
Leipzig, where he was offered a position at the Neues Stadttheater. However,
the position accompanied a bitter rivalry with his senior colleague Arthur
Nikisch, primarily over the share of conducting duties for the theatre's new
production of Wagner's Ring cycle. But later, in January 1887, due to Nikisch's
illness, Mahler took charge of the whole cycle and experienced an exceptional
public success. In spite of this, his relationship with his orchestra remained
resentful, who deplored his tyrannical ways and heavy rehearsal schedules.
In Leipzig, Mahler met Carl von Weber and agreed to work on a
performing version of Carl Maria von Weber's unfinished opera Die drei Pintos
("The Three Pintos"). Mahler added some composition of his own
and the work was premiered, in January 1888 at the Stadttheater. This work was
immensely successful which brought both critical acclaim and financial rewards.
However the relationship with Weber family was scarred by a romantic
involvement to Carl von Weber's wife Marion. Though, equally passionate on both
sides, this romantic attachment led to nowhere.
Mahler was appointed the director of the Royal Hungarian Opera
in Budapest from October 1888. In May 1891, he resigned from his Budapest
post as he was offered the position of the chief conductor at Hamburg
Stadttheater. While at Stadttheater, Mahler introduced several new operas, such
as Humperdinck's Hänsel und Gretel, Verdi's Falstaff and works by Smetana.
However soon he was compelled to resign from his post with the subscription
concerts in the wake of financial failures and an ill-received interpretation
of his re-scored Beethoven's Ninth Symphony. Since 1895 Mahler had been trying
to attain the directorship of the Vienna Hofoper. However the appointment of a
Jew to this position was barred which he overcame by converting to Roman
Catholicism in February 1897. A couple of months later Mahler was appointed to
the Hofoper, provisionally as a staff conductor with the title of
Kapellmeister.
Though in Vienna Gustav experienced several theatrical triumphs
yet his days in Vienna years were full of hardships. His conflicts with the
singers and the house administration persisted throughout his tenure. Mahler
was immensely successful in raising the standards, yet his tyrannical style was
resented by both orchestra members and singers. In December 1903, Mahler
rejected the demands of the stagehands suspecting that the extremists were
manipulating his staff. However, the anti-Semitic elements in Viennese society
launched a press campaign in 1907, which was intended to drive Gustav out.
On November 24, after conducting the Hofoper orchestra in a farewell
concert performance of his Second Symphony, Mahler left Vienna for New York in
early December.
Personal Life
At a social gathering in November 1901, Gustav met Alma
Schindler who was the stepdaughter of painter Carl Moll. Though she initially
denied meeting Mahler, the two engaged in a debate over a ballet by Alexander
von Zemlinsky (Alma was one of Zemlinsky's pupils), and agreed to meet at the
Hofoper the next day. Soon both fell in love and on 9 March 1902, they got
married at a private ceremony. By that time Alma was already pregnant with her
first child, a daughter Maria, who was born on 3 November 1902. She gave birth
to a second daughter Anna, in 1904. Mahler, much dejected by the campaign
launched against him in Vienna, took his family to Maiernigg in the summer of
1907. After their arrival at Maiernigg, both his daughters fell ill with
scarlet fever and diphtheria. Anna recovered but Maria succumbed after a
fortnight's struggle on 12 July.
Death
Even in the face of emotional turmoil during the summers of 1910
Mahler worked on his Tenth Symphony, completing the Adagio and drafting four
more movements. In November 1910, Mahler and Alma returned to New York, where
Mahler busied himself into a busy Philharmonic season of concerts and tours.
Mahler began suffering from a persistent sore throat round Christmas 1910. On
21 February 1911, Mahler performed his last concert at the Carnegie Hall. After
being bedridden for weeks, he was diagnosed with bacterial endocarditis. Mahler
fought with courage and took a keen interest when one of Alma's compositions
was sung on the 3rd of March at a public recital by the soprano Frances
Alda. The Mahler family along with a permanent nurse left New York on board SS
Amerika bound for Europe on 8 April. Ten days later they arrived
at Paris, where Mahler was admitted to a clinic at Neuilly, but there was no
improvement. He then travelled by train to the Lŏw sanatorium in Vienna on
the 11 May, where he left for the heavenly abode on 18. According to
Mahler’s wish he was buried in the Grinzing cemetery on 22 May, 1911. Doctor’s
advised Alma to be absent. Among the mourners at the funeral were Bruno Walter,
Arnold Schoenberg (whose wreath described Mahler as "the holy Gustav
Mahler"), the Secessionist painter Gustav Klimt, Alfred Roller and
representatives from many of the great European opera houses.
Major works
· Lieder eines
fahrenden Gesellen, 1833-1835
· Das Klagende
Lied. 1880
· Drei Lieder
(three songs for tenor and piano), 1880
· Lieder und
Gesänge aus der Jugendzeit (fourteen songs with piano accompaniment) 1880–1890
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