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Jaishankar Prasad (30 January 1890 – 15
November 1937) is one of the most famous figures in modern Hindi literature as
well as Hindi theatre. In her glowing tribute to Jai
Shankar Prasad, the poet- critic Mahadevi Verma says: “Whenever I remember our
great poet, Prasad a particular image comes to my mind. A fir tree stands on
the slope of the Himalaya, straight and tall as the proud mountain peaks
themselves. Its lofty head braves the assaults of the snow, the rain, and the
blazing heat of the sun. Violent storms shake its spreading branches, while a
thin stream of water plays hide-and-seek amongst its root. Even under the most
heavy snowfall, the most fierce heat, and the torrential rain, the fir tree
holds its head high. Even in the midst of the worst thunderstorm and blizzards,
it remains steady and unflinching.”
Childhood
& Early Life
·
The
eminent Hindi writer-poet Jai Shankar Prasad was born on 30 January 1890, in an
aristocratic madhesia gupta family of Varanasi, Uttar Pradesh. Prasad was youngest son of his
father Babu Devi Prasad who was a tobacco manufacturer. His family was an elite
unites in Varanasi, popular as “Sunghani Sahu”.
·
Prasad
received his early education at the private elementary school of Mohini Lal
'Rasmayasidh', himself an amateur poet. At the age of 10, Prasad was admitted
to Queens College, Varanasi for formal education. The following year, he
accompanied his parents on pilgrimage to visit such known religion places as
Ganga Sagar, Bhuvaneshvar, Jagannath Puri and Onkareshvar. Prasad spent his
adolescence in the cultivation of his physical as well as mental faculties -
wrestling, exercising, and eating wholesome food on the one hand, and studying
Sanskrit, Pali, English and Persian the other.
·
The youthful period of his life, however, was marred by
severe personal tragedies and family disputes. His father died in 1901, when he
was only 11; hence he was forced to shoulder the heavy burden of the family's
finances and debts. Prasad's elder brother Shambhuratna, tried to resolve the
crisis but in vain, for the tobacco business was on the decline. Another
tragedy gripped him when his mother died two years after the father's death.
Unfortunately, three years later, Shambhuratna also died (1906).
·
These calamities virtually ended Prasad's formal education.
Despite the family afflictions, he continued the private study of Indian
languages and literature along with the major scriptures of Hinduism and
Buddhism. When Prasad’s literary glory was at its apex, he was caught in deadly
disease of tuberculosis which had no cure in those times. The athletic body of
Prasad started withering and, repeating the name of Lord Shiva, he breathed his
last at 04:00am on 15 November 1937 in Brahama Mahurta. The luminous sun of
Hindi literature set on its zenith leaving for posterity a rich cultural
values.
Career
·
Prasad
started writing poetry with the pen name of ‘Kaladhar’ at the famous shop of
Sunghani Sahu. The first collection of poem that Jai Shankar Prasad penned,
named, Chitradhar, was written in Braj dialect of Hindi but his later works are
in Khadi dialect or Sanskritized Hindi. Later on Prasad prolugated ‘Chhayavad’ a literary trend in Hindi literature. It is
romanticism with a spiritual base and universalism which touches every core of
humanism. Jai Shankar Prasad was a staunch devotee of Lord Shiva and had no
trace of bigotry of fanaticism. Shaiva philosophy of prativijana darshan was
deeply imbedded in the religious consciousness in him.
·
He
was influenced by Sanskrit literature and ancient history that influence
is evident on his works. Prasad's most famous dramas include Skandagupta, Chandragupta and Dhruvaswamini .
·
Regarding
his influence in Indian literature, the late scholar David Rubin writes in The Return of Sarasvati (Oxford,
1993), "To Jayshankar Prasad belongs the credit of making the first
successful leap forward in the development of a genuine poetic art in khari
boliHindi and giving it, in Amsu, its first masterpiece."
Rubin felt his lyrics regarding nature and human love helped to define
the Chhayavad movement, and that his reflective nature and
deep love of reading and music heavily influenced his work.
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Major
Works
·
He is considered one of the Four Pillars (Char
Stambh) of Romanticism in Hindi Literature(Chhayavad), along with Sumitranandan
Pant, Mahadevi Verma, and Suryakant
Tripathi 'Nirala'. His style of poetry can at best be described as
"touching". Art and philosophy have been exquisitely amalgamated in
his writings. His vocabulary avoids the Persianelement of Hindi and mainly consists of Sanskrit (Tatsama) words and words derived from
Sanskrit (Tadbhava words) – some of them made
really exquisitely by himself. By this means, he arrives at a sophisticated
diction that was typical for Hindi Romanticism of the 1920s and 30s.
·
His dramas are considered to be most pioneering ones
in Hindi. The majority of them revolve
around historical stories of Ancient India. Some of them were also based on
mythological plots. In 1960s, Shanta Gandhi Professor of Ancient Indian
Drama at while at National
School of Drama, revived interest in Jaishankar Prasad's plays for
modern Indian theatre, by successfully staging his most
important play Skanda Gupta written in 1928, with little
changes to the original script, thus quashing doubts over its
"stagability".
·
Jaishankar Prasad's Kamayani (1936) is considered an
important magnum opus of this school. Kamayani is a Hindi classic poem and is
considered to be the best literary works written in modern times in Hindi
Literature. The poem Kamayani belongs to the Chhayavaadi school of Hindi
poetry. The poem was first published in 1937 and was on e of the most popular
Hindi poetry in the nineteenth and twentieth century.
Personal
Life & Legacy
· This compliment from a younger
contemporary of Prasad summarizes in a condensed form the literary genius of
one of the leading lights of chhayavad movement in Hindi literature. It
recognizes Prasad’s place among his peers as well as his relevance to
modernity. As author of a classic epic of the human psyche, his magnum opus
Kamayani, Prasad had acquired early eminence.
· But later his multifaceted
personality burgeoned in his contribution to diverse fields of literature in
spite of countless storms of personal tragedies, and national social and
political upheavals. Since brought up in the affluent family of a tobacco
merchant, Prasad was a man of personal charm and of romantic disposition. By
temperament a reformer and humanitarian, through his devotion to literature he
became a lyric poet, a dramatist, a story writer, and essayist. Thus Prasad
emerged as a literary genius. It would be no exaggeration if we rank him with
such literary stalwarts as Kalidas, Tulsidas, Shakespeare, Dante, and Goethe in
view of his vision and aesthetic consciousness.
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