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Shabana Azmi
Shabana Azmi (born 18 September 1950) is an Indian
actress of film, television and theatre. The daughter of poet Kaifi Azmi and stage actress Shaukat Azmi, she is an alumna of Film
and Television Institute of India of Pune. Azmi made her film
debut in 1974 and soon became one of the leading actresses of Parallel Cinema, a new-wave movement known for its serious
content and neo-realism and received government patronage during the
times. Regarded as one of the finest actresses in India, Azmi's
performances in films in a variety of genres have generally earned her praise
and awards, which include a record of five wins of the National
Film Award for Best Actress and several international
honours. She has also received five Filmfare Awards, and was honored among "women in cinema"
at the 30th International
Film Festival of India.[4] In 1988, the Government of India awarded her
with Padma Shri, the fourth highest
civilian honour of the country.
Childhood
& Early Life
·
Shabana
Azmi was born into a Saiyyid Muslim family, in Hyderabad,[7] India. Her parents
are Kaifi
Azmi (an Indian poet) and Shaukat
Azmi (a veteran Indian People's Theatre Association stage
actress), both of whom were members of the Communist Party of India. Her
brother, Baba Azmi, is a cinematographer. Shabana was named at the
age of eleven by Ali Sardar Jafri. Her parents used to call her Munni. Baba
Azmi was named by Prof. Masood Siddiqui as Ahmer Azmi. Her parents had an
active social life, and their home was always thriving with people and
activities of the communist party. It was not unusual for her to wake up in the
morning and find members of the communist party sleeping about, from a previous
night's communist social that ran late. Early in childhood, the environment in
her home inculcated into her a respect for family ties, social and human values;
and her parents always supported her to develop a passion for intellectual
stimulation and growth.
·
Azmi
attended Queen Mary School, Mumbai. She completed
a graduate degree in Psychology from St. Xavier's College, Mumbai, and followed
it with a course in acting at the Film and Television Institute of
India (FTII), Pune. She explained the reason she decided to
attend the film institute, saying: "I had the privilege of watching Jaya
Bhaduri in a (Diploma) film, Suman, and I was completely enchanted by her performance because
it was unlike the other performances I had seen. I really marvelled at that and
said, 'My god, if by going to the Film Institute I can achieve that, that's
what I want to do.'" Azmi eventually topped the list of successful
candidates of 1972.
Career
·
Azmi
graduated from the FTII in 1973 and went on to sign on Khwaja Ahmad Abbas' Faasla and began work on Kanti Lal Rathod's Parinay as well. Her first
release, however, was Shyam Benegal's directorial debut Ankur (1974). Belonging to
the arthouse genre of neo-realistic films, Ankur is based on a true story which occurred in Hyderabad. Azmi played Lakshmi, a married
servant and villager who drifts into an affair with a college student who
visits the countryside. Azmi was not the original choice for the film, and
several leading actresses of that time refused to do it.
·
The
film went on to become a major critical success, and Azmi won the National Film Award for Best
Actress for her performances. Upperstall.com described
her work in the film as "an outstanding psychologically penetrating
performance very different from those seen normally till then in mainstream
Hindi cinema", and famous independent filmmaker Satyajit
Ray commented: "In Ankur she
may not have fitted immediately into her rustic surroundings, but her poise and
personality are never in doubt. In two high pitched scenes, she pulls out the
stops to firmly establish herself as one of our finest dramatic
actresses".
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·
She
went on to receive the National Film Award consecutively
for three years from 1983 to 1985 for her roles in the movies; Arth, Khandhar and Paar. Another film, Godmother(1999) earned her
another National Film Award, taking her tally to five.
·
Azmi’s
acting has been characterised by a real-life depiction of the roles played by
her. In Mandi,
she acted as a madam of a whorehouse. For this role, she put on weight and even
chewed betel.
Real life portrayals continued in almost all her movies. These included the
role of a woman named Jamini resigned to her destiny in Khandhar and a typical urban
Indian wife, homemaker and mother in Masoom.
Awards
Personal Life & Legacy
·
Shabana Azmi was engaged to Benjamin Gilani in late 1970s,
but the engagement was called off. Later, she married Javed Akhtar,
a lyricist, poet and Bollywood scriptwriter,
on 9 December 1984, making her a member of the Akhtar-Azmi
film family. It was Akhtar’s
second marriage, the first being with Bollywood scriptwriter, Honey Irani.
However Shabana's parents objected to her being involved with a very much
married man with 2 children (Farhan Akhtar and Zoya Akhtar). Indian
actresses Farah Naaz and Tabuare her
nieces and Tanvi Azmi is her sister-in-law.
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